Commentary
Tyler Perry’s Madea’s Farewell – The Play Tour
NNPA NEWSWIRE — “He’s giving her the boot the way he introduced her, on the stage. There will be a movie too (Tyler Perry’s A Madea Family Funeral—opens March 1, 2019). But, if you want to watch the big man/woman sweat through her Lane Bryant dresses in person, one more time, you’ll have to see her live in this play.”
By Dwight Brown NNPA News Wire Film Critic
He has his fans. He has his detractors. Yet for 25 years, Tyler Perry has entertained audiences with Madea, his doppelganger, in theaters and on screens. For reasons known only to him, Perry has decided to hang up Madea’s heavy-duty bra, hausfrau flowered dresses and blue-rinse white powdered wigs.
He’s giving her the boot the way he introduced her, on the stage. There will be a movie too (Tyler Perry’s A Madea Family Funeral—opens March 1, 2019). But, if you want to watch the big man/woman sweat through her Lane Bryant dresses in person, one more time, you’ll have to see her live in this play.
Tyler Perry’s Madea’s Farewell, a traveling show, pulled into town at the James L. Knight Center in downtown Miami. Folks who came to witness the end of a tradition were as interesting to watch as the actors onstage. Blue, orange, platinum blonde and pink hair could be spotted everywhere. Ladies in leopard print hot pants and matching shoes strutted around with their men in tow.
African American theatergoers dominated the space, though white and Latino fans were in the crowd too. And, if you had a penny for everyone over 80 years old, some with walkers and motorized wheel chairs, you’d be rich. Showtime.
A character named Darlene stands stage front, male dancers gyrate behind her as she sings Ann Peebles soul classic, “I Can’t Stand the Rain.” The stage splits open, revealing her living room. Darlene expects family and friends to stop by to help her celebrate her twentysomething-year-old son Malik’s graduation from medical school. Malik, his extremely tall transgender sister Ti-Ti, his best friend Devin and others show up too. The audience is engaged, respectful and watching the family dynamics unfold.
The temperature in the room heats up when stars from Perry’s TV show Meet the Browns enter. Hot-blooded and elderly Aunt Bam (Cassie Davis) takes a seat at the dinette table. She’s perfectly cordial and lecherous as she ogles the handsome and much younger Devin. Mr. Brown (David Mann) walks in wearing a white suit patterned with loud neon-color shapes that look like narrow road signs. And, Cora Jean Simmons-Brown (Tamela Mann) comes in too. As each of the legendary actors enter, the crowd claps and oos and ahs.
With rapid fire, the characters exchange funny lines, accuse each other of all sorts of misdeeds and let their feelings be known (“I betcha you sweat prune juice”). The trumped-up drama and petty arguments escalate as Madea makes her entrance and the fans go wild. The big lady acknowledges members of her family and the audience, some of whom she heckles: “You know the show started at 8! Why are you late? Turn off that camera!” She engages the audience, harasses a few and the place is reeling with laughter as Perry breaks the fourth wall.
What ensues is a steady stream of comic putdowns, infidelity, betrayals and rivalries that build and build until Madea pulls a large silver object out of her purse and slams it on the table to gain control of the hysteria. The actors looked shocked. The audience too. It’s a gun. Chuckles turn into group laughing fits that are so forceful a few bladders must have lost control. As the first act ends, the tattered family heads out to attend the graduation ceremony.
Knee-deep into the second act there is shocking revelation about two lovers who have kept their dalliances a secret. Their affair announcement provokes audible gasps from the cast (fake) and the fans (real).
Finally, it is Madea who calms the family, assuring them that if they express their true feelings and trust in God, they will all be fine. As in most Perry productions, there is a spiritual aspect to the story, and that’s an element audiences expect. They come from afar for the humor and stay for the soul-cleansing. Madea: “When you build walls to keep people out, you can’t get out.”
At points in the play, actors walk to the front of the stage to perform pop, soul or gospel songs that advance the plot. Toward the end of the second and final act, this shtick becomes an over-abundantly used crutch. It’s as if Perry ran out of ideas or had no faith in the three-act play format and decided that one and a-half acts will do.
The drama ends abruptly and actors break into songs that have no connection to the proceedings, though they’re fun to watch. The most interesting musical performances are the male cast crooning and dancing to Bell Biv Devoe’s “Poison” and the superb Tamela Mann singing her heart out with “Take Me to the King.” Minus the frustrating ending, what’s on view could have a solid shot as a Broadway comedy, even though that may not be part of the plan.
The play is a great way for Perry’s fans and naysayers to have a fun night out and laugh together. After 25 years of Madea being front, center and all up in your face, she’s about to bow out gracefully. The wigs, falsies and plus-size dresses will gather dust in a closet or be periodically refreshed in a museum showcase. She’ll be history.
Regardless of what you think of Perry, his humor and crew, the big lady is an indelible part of black culture. Something like Flip Wilson’s Geraldine—only on steroids and able to tackle Odell Beckham Jr. or body-slam Hulk Hogan.
The national tour of Tyler Perry’s Madea’s Farewell is scheduled to end in Atlanta, GA at the end of May. Until then, Perry and his gypsy troupers will portray the iconic characters that have surrounded the well-known matriarch until they run her into the ground. Literally.
Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.
Activism
Big God Ministry Gives Away Toys in Marin City
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.
By Godfrey Lee
Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.
Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.
A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.
Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.
Activism
2025 in Review: Seven Questions for Assemblymember Lori Wilson — Advocate for Equity, the Environment, and More
Her rise has also included several historic firsts: she is the only Black woman ever appointed to lead the influential Assembly Transportation Committee, and the first freshman legislator elected Chair of the California Legislative Black Caucus. She has also been a vocal advocate for vulnerable communities, becoming the first California legislator to publicly discuss being the parent of a transgender child — an act of visibility that has helped advanced representation at a time when political tensions related to social issues and culture have intensified.
By Edward Henderson, California Black Media
Assemblymember Lori D. Wilson (D-Suisun City) joined the California Legislature in 2022 after making history as Solano County’s first Black female mayor, bringing with her a track record of fiscal discipline, community investment, and inclusive leadership.
She represents the state’s 11th Assembly District, which spans Solano County and portions of Contra Costa and Sacramento Counties.
Her rise has also included several historic firsts: she is the only Black woman ever appointed to lead the influential Assembly Transportation Committee, and the first freshman legislator elected Chair of the California Legislative Black Caucus. She has also been a vocal advocate for vulnerable communities, becoming the first California legislator to publicly discuss being the parent of a transgender child — an act of visibility that has helped advanced representation at a time when political tensions related to social issues and culture have intensified.
California Black Media spoke with Wilson about her successes and disappointments this year and her outlook for 2026.
What stands out as your most important achievement this year?
Getting SB 237 passed in the Assembly. I had the opportunity to co-lead a diverse workgroup of colleagues, spanning a wide range of ideological perspectives on environmental issues.
How did your leadership contribute to improving the lives of Black Californians this year?
The Black Caucus concentrated on the Road to Repair package and prioritized passing a crucial bill that remained incomplete during my time as chair, which establishes a process for identifying descendants of enslaved people for benefit eligibility.
What frustrated you the most this year?
The lack of progress made on getting Prop 4 funds allocated to socially disadvantaged farmers. This delay has real consequences. These farmers have been waiting for essential support that was promised. Watching the process stall, despite the clear need and clear intent of the voters, has been deeply frustrating and reinforces how much work remains to make our systems more responsive and equitable.
What inspired you the most this year?
The resilience of Californians persists despite the unprecedented attacks from the federal government. Watching people stay engaged, hopeful, and determined reminded me why this work matters and why we must continue to protect the rights of every community in our state.
What is one lesson you learned this year that will inform your decision-making next year?
As a legislator, I have the authority to demand answers to my questions — and accept nothing less. That clarity has strengthened my approach to oversight and accountability.
In one word, what is the biggest challenge Black Californians are facing currently?
Affordability and access to quality educational opportunities.
What is the goal you want to achieve most in 2026?
Advance my legislative agenda despite a complex budget environment. The needs across our communities are real, and even in a tight fiscal year, I’m committed to moving forward policies that strengthen safety, expand opportunity, and improve quality of life for the people I represent.
Activism
2025 in Review: Seven Questions for Assemblymember Tina McKinnor, Champion of Reparations, Housing and Workers’ Rights
In 2025, McKinnor pushed forward legislation on renters’ protections, re-entry programs, reparations legislation, and efforts to support Inglewood Unified School District. She spoke with California Black Media about the past year and her work. Here are her responses.
By Joe W. Bowers Jr., California Black Media
Assemblymember Tina McKinnor (D-Inglewood) represents
California’s 61st Assembly District.
As a member of the California Legislative Black Caucus (CLBC),
McKinnor was elected in 2022. She chairs the Los Angeles County Legislative Delegation and leads the Assembly Public Employment and Retirement Committee. McKinnor also served as a civic engagement director, managed political campaigns, and worked as chief of staff for former Assemblymembers Steven Bradford and Autumn Burke.
In 2025, McKinnor pushed forward legislation on renters’ protections, re-entry programs, reparations legislation, and efforts to support Inglewood Unified School District. She spoke with California Black Media about the past year and her work. Here are her responses.
Looking back on 2025, what do you see as your biggest win?
Assembly Bill (AB) 628. If rent is $3,000, people should at least have a stove and a refrigerator. It’s ridiculous that people were renting without basic appliances.
I’m also proud that I was able to secure $8.4 million in the state budget for people coming home from incarceration. That includes the Homecoming Project, the menopause program for incarcerated women, and the Justice Leaders Program.
How did your leadership help make life better for Black Californians this year?
After the Eaton Fire, I pushed to get the same kind of support for affected areas that wealthier regions get after disasters.
I also did a lot of work building political power— establishing the Black Legacy PAC and California for All of Us PAC so we could support Black candidates and educate voters. We also called voters to make sure they understood Prop 50.
People need to understand this: there are only 12 Black legislators in the Capitol. Folks act like we can just walk in and pass reparations, but that’s not how it works.
What frustrated you most this year?
The governor did not have the political will to sign these bills: AB 57 and AB 62. They both passed overwhelmingly in the Assembly and the Senate. We did the work. The only person who didn’t have the political will to sign them was the governor.
The public needs to ask the governor why he didn’t sign the bills. We can’t keep letting people off the hook. He has to answer.
I also introduced AB 51 — the bill to eliminate interest payments on Inglewood Unified School District’s long-standing state loan — held in the Appropriations Committee. That was frustrating,
What inspired you most in 2025?
The civil rights trip to Alabama was life changing. We visited the Legacy Museum and the National Memorial for Peace and Justice. We took members of the Black, Latino, Jewish, and API caucuses with us. It changed all of us.
People aren’t always against us — they just don’t know our history.
What’s one lesson from 2025 that will shape how you approach decisions next year?
The legislative trip to Norway taught me that collaboration matters. Government, labor, and industry sit down together there. They don’t make villains. Everybody doesn’t get everything they want, but they solve problems.
What’s the biggest challenge facing Black Californians in one word?
Inequity. It shows up in housing, wealth, stress – all these things.
What’s the number one goal you want to accomplish in 2026?
Bringing back AB 57 and AB 62, and securing money for the Inglewood Unified loan interest forgiveness.
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