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In Memoriam: Former Supreme Mary Wilson Leaves Legacy of Black Pride and Resilience

Gordy expressed his sadness over Wilson’s death. “The Supremes were always known as the ‘sweethearts of Motown,’” Gordy said. “Wilson, along with Diana Ross and Florence Ballard, came to Motown in the early 1960s. After an unprecedented string of No. 1 hits, television and nightclub bookings, they opened doors for themselves, the other Motown acts, and many, many others.”

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Mary Wilson

Mary Wilson, a co-founder of the best-selling girl group the Supremes, died in her sleep early Tuesday at her home in Las Vegas, Nev. She was 76.

A singer, best-selling author, motivational speaker, businesswoman, former U.S. Cultural Ambassador, mother, and grandmother, the legendary Wilson made great strides on her inevitable journey to greatness.

As an original/founding member of The Supremes, she changed the face of popular music to become a trendsetter who broke down social, racial, and gender barriers, which all started with the wild success of their first No. 1 song in 1963.

With her childhood friend Florence Ballard and lead singer Diana Ross, the Supremes achieved an unprecedented 12 No.1 hits in the mid-1960s and became international superstars by 1964 on the Motown record label, started just a few years before by Berry Gordy.

Gordy expressed his sadness over Wilson’s death. “The Supremes were always known as the ‘sweethearts of Motown,’” Gordy said. “Wilson, along with Diana Ross and Florence Ballard, came to Motown in the early 1960s. After an unprecedented string of No. 1 hits, television and nightclub bookings, they opened doors for themselves, the other Motown acts, and many, many others.”

Born in Greenville, Miss., on March 6, 1944, Wilson moved North with her family ending up in Detroit, Wis., where Berry Gordy’s Motown record label was just warming up.

She was a school friend of Ballard, who invited her to audition for the Primettes, a sister group to a boys’ trio called the Primes.

Wilson was accepted and she and Ballard would be joined by Diana Ross and Betty McGlown. By 1962, they were a trio and their first hit – “When the Lovelight Starts Shining Through His Eyes” — came the following year.

“Where Did Our Love Go?” became their first song to reach No. 1 on the pop charts and a string of hits followed making them international superstars by 1964.

With the Supremes, Wilson achieved an unprecedented 12 No.1 hits, with five of them consecutive from 1964-65. Those songs are “Where Did Our Love Go,” “Baby Love”, “Come See About Me,” “Stop! In the Name of Love,” and “Back in My Arms Again,” according to Billboard Magazine.

But all was not well. In 1967, Gordy decided to change their name to Diana Ross and the Supremes and Ballard decided to leave the group. Many years later, Wilson would express her disappointment and stick up for her friend, lobbying for a U.S. postage stamp with Ballard’s image.

“People forget that Florence Ballard not only gave us our name, but she formed the group,” Wilson revealed on “Fiyah!” a program sponsored by the Black Press of America.

“It was really Flo who formed us, and I want people to know that. I am putting together a program to get Florence Ballard a U.S. stamp, hopefully, so I want people to send their request and say something about Florence” Wilson said of her friend who died of a heart attack in 1976.     “All those hits were Florence, so when you are  listening to [The Supremes], it’s about Flo, so I want people who listen to those songs that bring back memories, think about Flo.”

Ballard was replaced by Cindy Birdsong and the group continued to perform until 1970 when Ross would leave the group for a solo career in 1970. The group continued to have hits like “Stoned Love” in 1970.

By the mid-1970s, Wilson was doing half of the Supremes’ lead vocals but she left the group in 1977.

Nearly a decade later, Wilson found success in writing her memoirs: “Dreamgirl: My Life as a Supreme,” in 1986 and “Supreme Faith: Someday We’ll Be Together” in 1990.

She became a frequent guest on TV talk shows and performed regularly in Las Vegas casinos and resorts.

Colin Powell named her a cross-cultural ambassador in 2002 and she appeared at events sponsored by the State Dept.

Wilson released CDs in 2006 and 2010, while also becoming a musical activist, going to court to prevent impostors from performing under the names of groups from the 1950s and ‘60s, including the Motown group the Marvelettes as well as the Supremes. The law was passed in 27 states.

She lectured all over the world giving advice on reaching goals and triumphing over adversity and became known for her charity work with the American Cancers Society, St. Jude’s Children’s Research Hospital and the NAACP among others, including the Figure Skaters of Harlem, which encourages youth gain entry to the Olympics.

In 2019, Wilson appeared in a “Dancing With the Stars” segment and published “Supreme Glamour,” an appreciation of the fashion the Supremes wore on stage. A collection of the gowns has been on exhibit at the Rock & Roll Hall of Fame in Cleveland, Ohio, since 2008.

With the Supremes, Wilson was inducted into the National Rhythm and Blues Hall of Fame in 2013 and received a lifetime Achievement Award from the National Newspaper Publishers Association in 2020.

Wilson married Pedro Ferrer in 1974 and the couple had three children: Turkessa, Pedro Antonio and Rafael. She and Ferrer divorced in 1981. In 1994, Rafael was killed in a car accident.

“Ms. Wilson used her fame and flair to promote a diversity of humanitarian efforts, including ending hunger, raising HIV/AIDS awareness, and encouraging world peace. Mary was working on getting a U.S. postage stamp of her fellow bandmate and original Supreme Florence Ballard who passed away in 1976,” longtime publicist and friend Jay Schwartz said.

She was working on new projects for 2021, including an album she recently teased on her YouTube channel. Her primary love was preserving the legacy of the Supremes and introducing her music to new generations.

“I think that The Supremes had a lot to do with the awakening of the world in terms of what blackness was,” Wilson said in her 2020 NNPA interview. “The whole world was watching Black people in a way they’d never seen.”

Wikipedia, Stacy Brown/NNPA contributed to this report.

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Arts and Culture

Book Review: Building the Worlds That Kill Us: Disease, Death, and Inequality in American History

Nearly five years ago, while interviewing residents along the Mississippi River in Louisiana for a book they were writing, authors Rosner and Markowitz learned that they’d caused a little brouhaha. Large corporations in the area, ones that the residents of “a small, largely African American community” had battled over air and soil contamination and illness, didn’t want any more “’agitators’” poking around. They’d asked a state trooper to see if the authors were going to cause trouble.

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Courtesy of Columbia University Press
Courtesy of Columbia University Press.

By Terri Schlichenmeyer

 Author: David Rosner and Gerald Markowitz, c.2024, Columbia University Press, $28.00

Get lots of rest.

That’s always good advice when you’re ailing. Don’t overdo. Don’t try to be Superman or Supermom, just rest and follow your doctor’s orders.

And if, as in the new book, “Building the Worlds That Kill Us” by David Rosner and Gerald Markowitz, the color of your skin and your social strata are a certain way, you’ll feel better soon.

Nearly five years ago, while interviewing residents along the Mississippi River in Louisiana for a book they were writing, authors Rosner and Markowitz learned that they’d caused a little brouhaha. Large corporations in the area, ones that the residents of “a small, largely African American community” had battled over air and soil contamination and illness, didn’t want any more “’agitators’” poking around. They’d asked a state trooper to see if the authors were going to cause trouble.

For Rosner and Markowitz, this underscored “what every thoughtful person at least suspects”: that age, geography, immigrant status, “income, wealth, race, gender, sexuality, and social position” largely impacts the quality and availability of medical care.

It’s been this way since Europeans first arrived on North American shores.

Native Americans “had their share of illness and disease” even before the Europeans arrived and brought diseases that decimated established populations. There was little-to-no medicine offered to slaves on the Middle Passage because a ship owner’s “financial calculus… included the price of disease and death.”  According to the authors, many enslavers weren’t even “convinced” that the cost of feeding their slaves was worth the work received.

Factory workers in the late 1800s and early 1900s worked long weeks and long days under sometimes dangerous conditions, and health care was meager; Depression-era workers didn’t fare much better. Black Americans were used for medical experimentation. And just three years ago, the American Lung Association reported that “’people of color’ disproportionately” lived in areas where the air quality was particularly dangerous.

So, what does all this mean? Authors David Rosner and Gerald Markowitz don’t seem to be too optimistic, for one thing, but in “Building the Worlds That Kill Us,” they do leave readers with a thought-provoker: “we as a nation … created this dark moment and we have the ability to change it.” Finding the “how” in this book, however, will take serious between-the-lines reading.

If that sounds ominous, it is. Most of this book is, in fact, quite dismaying, despite that there are glimpses of pushback here and there, in the form of protests and strikes throughout many decades. You may notice, if this is a subject you’re passionate about, that the histories may be familiar but deeper than you might’ve learned in high school. You’ll also notice the relevance to today’s healthcare issues and questions, and that’s likewise disturbing.

This is by no means a happy-happy vacation book, but it is essential reading if you care about national health issues, worker safety, public attitudes, and government involvement in medical care inequality. You may know some of what’s inside “Building the Worlds That Kill Us,” but now you can learn the rest.

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Arts and Culture

‘Giants Rising’ Film Screening in Marin City Library

A journey into the heart of America’s most iconic forests, “Giants Rising” tells the epic tale of the coast redwoods — the tallest and among the oldest living beings on Earth. Living links to the past, redwoods hold powers that may play a role in our future, including their ability to withstand fire and capture carbon, to offer clues about longevity, and to enhance our own well-being.

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A woman stands amid towering redwood trees in a forest. Photo courtesy of Marin County Free Library.
A woman stands amid towering redwood trees in a forest. Photo courtesy of Marin County Free Library.

By Godfrey Lee

The film “Giants Rising” will be screened on Saturday, Jan. 11, from 3-6 p.m. at the St. Andrew Presbyterian Church, located 100 Donahue St. in Marin City.

A journey into the heart of America’s most iconic forests, “Giants Rising” tells the epic tale of the coast redwoods — the tallest and among the oldest living beings on Earth. Living links to the past, redwoods hold powers that may play a role in our future, including their ability to withstand fire and capture carbon, to offer clues about longevity, and to enhance our own well-being.

Through the voices of scientists, artists, Native communities, and others, we discover the many connections that sustain these forests and the promise of solutions that will help us all rise up to face the challenges that lay ahead.

The film’s website is www.giantsrising.com. The “Giants Rising” trailer is at https://player.vimeo.com/video/904153467. The registration link to the event is https://marinlibrary.bibliocommons.com/events/673de7abb41279410057889e

This event is sponsored by the Friends of the Marin City Library and hosted in conjunction with the Golden Gate National Recreation Area and St. Andrew Presbyterian Church.

All library events are free. For more information, contact Etienne Douglas at (415) 332-6158 or email etienne.douglas@marincounty.gov. For event-specific information, contact Zaira Sierra at zsierra@parksconservancy.org.

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Activism

‘Resist’ a Look at Black Activism in U.S. Through the Eyes of a Native Nigerian

In 1995, after she and her brothers traveled from their native Nigeria to join their mother at her new home in the South Bronx, young Omokha’s eyes were opened. She quickly understood that the color of her skin – which was “synonymous with endless striving and a pursuit of excellence” in Nigeria – was “so problematic in America.”

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Cover of “Resist! How a Century of Young Black Activists Shaped America.” Courtesy image.
Cover of “Resist! How a Century of Young Black Activists Shaped America.” Courtesy image.

By Terri Schlichenmeyer, The Bookworm Sez

Throughout history, when decisions were needed, the answer has often been “no.”

‘No,’ certain people don’t get the same education as others. ‘No,’ there is no such thing as equality. ‘No,’ voting can be denied and ‘no,’ the laws are different, depending on the color of one’s skin. And in the new book, Resist!” by Rita Omokha, ‘no,’ there is not an obedient acceptance of those things.

In 1995, after she and her brothers traveled from their native Nigeria to join their mother at her new home in the South Bronx, young Omokha’s eyes were opened. She quickly understood that the color of her skin – which was “synonymous with endless striving and a pursuit of excellence” in Nigeria – was “so problematic in America.”

That became a bigger matter to Omokha later, 15 years after her brother was deported: she “saw” him in George Floyd, and it shook her. Troubled, she traveled to America on a “pilgrimage for understanding [her] Blackness…” She began to think about the “Black young people across America” who hadn’t been or wouldn’t be quiet about racism any longer.

She starts this collection of stories with Ella Josephine Baker, whose parents and grandparents modeled activism and who, because of her own student activism, would be “crowned the mother of the Civil Rights Movement.” Baker, in fact, was the woman who formed the Student Nonviolent Coordinating Committee, or SNCC, in 1960.

Nine teenagers, known as the Scottsboro Nine were wrongly arrested for raping two white women in 1931 and were all released, thanks to the determination of white lawyer-allies who were affiliated with the International Labor Defense and the outrage of students on campuses around America.

Students refused to let a “Gentleman’s Agreement” pass when it came to sports and equality in 1940. Barbara Johns demanded equal education under the law in Virginia in 1951. Huey Newton and Bobby Seale formed the Black Panther Party for Self-Defense in 1966.  And after Trayvon Martin (2012) and George Floyd (2020) were killed, students used the internet as a new form of fighting for justice.

No doubt, by now, you’ve read a lot of books about activism. There are many of them out there, and they’re pretty hard to miss. With that in mind, there are reasons not to miss “Resist!”

You’ll find the main one by looking between the lines and in each chapter’s opening.

There, Omokha weaves her personal story in with that of activists at different times through the decades, matching her experiences with history and making the whole timeline even more relevant.

In doing so, the point of view she offers – that of a woman who wasn’t totally raised in an atmosphere filled with racism, who wasn’t immersed in it her whole life – lets these historical accounts land with more impact.

This book is for people who love history or a good, short biography, but it’s also excellent reading for anyone who sees a need for protest or action and questions the status quo. If that’s the case, then “Resist!” may be the answer.

“Resist! How a Century of Young Black Activists Shaped America” by Rita Omokha, c.2024, St. Martin’s Press. $29.00             

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