Entertainment

Artist Ise Lyfe Turns Abandoned Housing Project into Work of Art

Published

12 years ago

June 21, 2013

Abandoned, boarded up, and forgotten about housing complexes sit in communities throughout Oakland. Now, one artist has returned to his hometown to transform one dilapidated East Oakland housing project, Greenside, into a work of art.

Oakland native and renowned international and interdisciplinary artist Ise Lyfe is using the property to showcase a new level of a conceptual multi-media art exhibit.

“I feel it’s really important to take the opportunity to tell the story, not only of this particular site but of folks growing up in public housing,” said Ise Lyfe. “I see housing as a human right, and all people have a right to good housing, healthy housing.”

Ise Lyfe has been featured on HBO’s Def Poetry Jam series and traveled the world telling stories of struggle, pain, sacrifice, growth, and change. Unwilling to forget his hometown, he has pushed himself to the limit to create a body of “provocative” art that tells a story of Oakland’s public housing system in the art exhibit, “Brighter than Blight”.

Greenside housing complex, located on the corner of 77th and Bancroft avenues, has been condemned for a decade. During the 1970s, 1980s, and 1990s, the project was a major hub for drugs, violence, and illegal activity. Ise Lyfe and his brother Michael Savannah grew up in East Oakland and now call the abandoned complex the “standing dinosaur” of the community.

“For years this site was notorious for illegal activity, but a lot of people have come from this place and survived the struggle of living in Oakland,” said Savannah, who is managing the “Brighter than Blight” project. Oakland’s Affordable Housing Initiative provided the funding for Ise Lyfe to produce the project. The Oakland Housing Authority and District 6 City Councilmember Desley Brooks have also fully supported the program.

“The story of East Oakland is typically told from a negative lens… In the Brighter Than Blight Art Exhibit Ise Lyfe has brilliantly communicated the beauty, creativity, complexity, strength, humor and depth of the lives of the residents of “Greenside”,” said Councilmember Brooks. “This project is the first of its kind in the country between a local artist, a city council office and a Public Housing Authority. I am thankful to Oakland Housing Authority Executive Director Eric Johnson and his staff and the California Affordable Housing Initiative for their vision and courage to move this project forward,” she said.

Ise Lyfe’s conceptual art exhibit will showcase’ photography, paintings, sculptures, and literary works to tell the story of public housing. A tribute to grandmother’s house, video montages featuring testimonials of former Greenside residents and life size print-outs of provoking spoken word pieces are just a few of the art projects being featured. Savannah says the project is geared to serve as “a voice for those who won’t speak for themselves, to speak for the good and bad happening in public housing so stories won’t go untold.”

More than 30 young people, many of whom are living in public housing complexes, will serve as guides, directing guest through the hour-long exhibit; some youth will share their narratives of growing up in public housing in hopes of encouraging people to become apart of the discourse.

Ise Lyfe hopes his work sparks a trend for more art projects of this sort to happen, and project manager Michael Savannah says expanding the project throughout the city is definitely something they are thinking about once this project is completed.

“When we say ghetto and hood, we think Black. With “Brighter than Blight”, I am saying we are brighter than the negative circumstances here,” Ise Lyfe said.

The exhibit will show for two weeks, June 21 – 23 and June 28 – 30. When the exhibit closes, the art will be placed in museums and public housing complexes throughout the city. Admission to the event is free and all are encouraged to attend.

For more information, visit www.facebook.com/BrighterThanBlight. Visit the Post News Group’s website to get a first look at a pieces he has created for the exhibit. Visit www.postnewsgroup.com

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Oakland Post: Week of December 18 – 24, 2024

The printed Weekly Edition of the Oakland Post: Week of December 18 – 24, 2024

Published

2 days ago

December 20, 2024

Oakland Post

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Arts and Culture

Promise Marks Performs Songs of Etta James in One-Woman Show, “A Sunday Kind of Love” at the Black Repertory Theater in Berkeley

“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.” Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”

Published

4 days ago

December 18, 2024

Oakland Post

Photo Courtesy Of Promise Marks.

Special to the Post

It was “A Sunday Kind of Love” at the Black Repertory Group Theater in Berkeley on Saturday night, Dec. 7. The one-woman musical based on the music of Etta James featured the multi-talented singer Promise Marks

Marks, who wrote and directed the musical, also owns PM Productions.

Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”

In between her soulful songs, Marks narrated impactful moments of the love story and journey of blues and forgiveness.

Marks sultry voice carried the audience back to an era that echoed with the power of Black music and a time of great change.

Marks said James shared love for the Black community by singing at gatherings during the Civil Rights Movement uplifting the people.

“She spoke to the movement, spoke to the people, and let her music speak for itself,” Marks said.

Backing the musical’s monologues, images and videos of Etta James are projected for the audience to view. While the production is fictional, Marks infused script with the unfairness and heartbreak James experienced while performing.

Marks performed gospel artist Donnie McClurkin’s “We Fall Down” as she narrated acts of reconciliation and forgiveness among the characters at Johnny Rhythm’s deathbed.

Marks, who regularly sings for the Miss America Pageant, was asked to perform as Etta James last year. “(At the event) a lady yelled out to me: ‘You’re Etta James!’ And then the audience went crazy. I said to myself, ‘I may have something here,’” she said.

Within 12 months, Marks created the musical production, which featured a dozen songs honoring “the great legacy of Etta James,” she said.

Marks says she was saddened to see how Etta James was often judged by the struggles in her life and wanted to offer attendees a more layered view.

“Etta’s life was so big. I want people to know that she was more than her drug addiction,” said Marks. “We can’t make that her legacy. Her catalog is too amazing. You can’t just be that and have the catalog that she (created). I don’t want the addiction to be the focus: I want her music, her element, her sassiness, and what she brought to be the focus – her woman-ness, that she was strong, and I wanted to honor that.”

Set Designer Nora Burnette says she created the set segments to mirror James’ life story. A set designer for BRG since 2016, she explained that her process of researching the scenario and the character serve as her inspiration for her design.

“I try to design a set as close to real life as possible so that the actress can deliver the performance sincerely,” said Burnette. “By creating the right setting, it helps the actors release the true essence of a character.”

The set brought the story to life and absolutely floored Marks. “Once Promise (Marks) saw the actual set, she understood my vision: ‘Wow, you get me. You get it,'” Marks told the designer.

Born Jamesetta Hawkins, Etta James, began her career in 1954 and gained fame with hits such “At Last” and “I’d Rather Go Blind.” She faced a number of personal problems, before making a musical comeback in the late 1980s with the album “Seven Year Itch.”

Co-producer and BRG Development Director, Sean Vaughn Scott, works with Overseer Production. According to producer Pamela Spikes, “Marks talent truly does Etta’s life story justice.”

Pam Jacobs of Hercules, a friend of Marks’ mom, Jackie Smith, said, Marks “was fabulous and sang all of those songs flawlessly.”

“I’m so proud of my daughter,” said Smith.

Marks, who has served as an instructor for BRG, will return on Feb. 21- 23 for an encore run of the musical.

“It’s an honor to be a part of the BRG (Black Repertory Group) family and continue our executive director Dr. Mona Vaughn Scott’s vision for the Black Repertory Group theater,” said Marks.

The Black Repertory Group Theatre is located at 3201 Adeline St., Berkeley, CA 94703. For information, visit: BlackRepertoryGroup.com