Business
Karolyne Ashley: Fashion Designer, Kidney Donor and American Success Story
NNPA NEWSWIRE — “We are excited to share our love and creativity with every woman that wants to tap into their inner goddess. Love is truly the key,” said Ashley, whose company, The Karolyne Ashley Atelier, has created “fantasy” evening wear pieces she says exude the most dreamy types of elegance and glamour.
By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

Karolyne Ashley/Courtesy KA
For clothing designer and entrepreneur Karolyne Ashley, it all begins and ends with love.
The Drexel University graduate, who has been featured in Fashion Week events in New York, the Bahamas and Nigeria, said she has a passion for people and believes that the ultimate quality of life is created by loving each other “as deeply as we love ourselves.”
That importance, she said, reigns supreme as a core company value and acts as a guide in the process of planning the pieces she creates.
“We are excited to share our love and creativity with every woman that wants to tap into their inner goddess. Love is truly the key,” said Ashley, whose company, The Karolyne Ashley Atelier, has created “fantasy” evening wear pieces she says exude the most dreamy types of elegance and glamour.
Ashley’s designs are known for exuberant color palettes and innovative silhouettes, all which serve to capture the hearts of women globally.
“We pride ourselves in creating timeless pieces that will stand out within any crowd and turn heads on every red carpet. At the Karolyne Ashley Atelier we create custom evening wear pieces made-to-measure for each of our beautiful clients,” she said.
The company works within a community of sustainable design entrepreneurs whose vision is to re-shape the impact that fashion has on the world from negative to positive, Ashley said.
With a strong focus on glamorous evening wear and millinery, Karolyne Ashley brings holistic values to the special occasion and evening wear markets. “We are committed to produce our garments through sustainable means by utilizing transparent supply chains, producing locally in small curated production houses, and ensuring fair wages throughout our entire production pipeline,” Ashley said.
“We believe that beauty shouldn’t compromise our value nor is overindulgence exclusively equal to luxury fashion. With that, all of our products are either made-to-measure in our Karolyne Ashley Atelier or sold pre-sale via our website and at exclusive events.
“This model allows us to eliminate excess waste while supplying consciously fabulous fashionistas globally.”
Born and raised in Nashville, Tenn., Ashley and her family later moved to Richmond, Va., where she spent her high school years before relocating to Philadelphia for college.
Eventually, she opened a shop in Brooklyn and then re-located to Houston after providing a kidney for her brother who needed a transplant – something Ashley called a simple act of obedience to God.
“It was my immediate reaction to offer my kidney and I felt strongly that it was something God wanted me to do,” she said.
“I knew that I was taking a drastic physical action but had no comprehension of the sacrifices that I would have to make with my business, personal life and mental health.”
The Jan. 2018 surgery proved successful and her brother is doing exceptionally well, Ashley said.
In Houston, Ashley has opened a studio where she creates some of the most stunning lines of evening wear, bridal, millinery and custom designs.
Last month, Ashley attended the NNPA Mid-Winter Training Conference in Orlando, Florida, where she wore a stunning black ensemble – one of her signature designs. “This dress is actually a two-piece garment made of a black satin wrap skirt with an exaggerated hi-low hem and a textured bodysuit,” she said.
The pieces can be worn separately or together with other items.
“The skirt is called Roxie and was inspired by the need of having evening wear pieces that can grow and transform with the women that wear them,” Ashley said
Both pieces are a part of her “Rebirth” Collection that she premiered at Arise fashion week last March. “The overall collection was inspired by my journey through my brother’s surgery and recovery,” Ashely said.
“The mixture of dark colors and static brights are the expression of my many stages of healing and finding wholeness.”
The outfit is available for purchase at “The Pop-Up Co-Op” boutique in Houston and will soon be available for custom orders on her website.
Recently, Ashley was appointed as the head of the Style Shop at Workshop Houston, a nonprofit that focuses on community building through the creative arts.
The Style Shop at Workshop Houston has fashion, music production, STEM, and tutoring programs. Students perform hands-on projects within each discipline.
“As the coordinator of the Style Shop, I am building fashion curriculum that teaches both industry techniques as well as goal centric frameworks to build the students’ social and emotional attributes,” Ashley said.
She also serves on the board of the AU Diaspora African Forum based in Accra, Ghana, where she’s developing programming and collaborations that ultimately will be formed into camps, schools, and training platforms with a primary focus on building up young ones through the creative arts, entrepreneurship, and economic development.
When asked where she gets her inspiration, Ashely said it comes from her parents.
“I would say that I am constantly driven and inspired by my family and mixed cultural heritage. My father is Bahamian and my mother grew up in Brooklyn, NY but has roots deep in the south,” she said.
“So, I am drawn to the color and nature of the islands, the charm of the south, and the bustling energy of the city.
“This shows up in the layered colors and textures of my work. I have also always maintained a strong spiritual connection which guides me through various life experiences.”
“This deep sense of connection allows me to move fluidly through life’s journey. In ways, fashion becomes my therapy and allows me to speak through situations of turmoil and bliss. This shows up in my mood boards and silhouettes. I try to keep my eyes and heart open while creating so that each collection tells as deeper story.”
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Big God Ministry Gives Away Toys in Marin City
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.
By Godfrey Lee
Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.
Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.
A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.
Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.
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