Activism
Oakland Community Art Center is Helping Immigrants Heal from Trauma
The programs are catered to youth and adults with programs called “Arts in Schools” and “Arts and Wellness.” Students are encouraged to participate in music, crafts, and dancing. In contrast, adults can join support groups to connect with others and receive mental health resources to alleviate trauma they may have previously experienced.
By Magaly Muñoz
A local community art center ARTogether is creating a safe place for immigrants and refugees one craft at a time.
After Donald Trump’s first presidential term started in 2017, Leva Zand saw firsthand the impact of discrimination towards immigrants. She wanted to give this community a space to heal through a creative outlet, which prompted her to start ARTogether.
“Folks can come together and do art activities, celebrate their culture, and basically be in a judgmental free environment, no matter what is their immigration status or how well they speak English, when they came to this country, what generation they are,” Zand explained. “The idea was how to use arts and culture for community building and connection between refugees, immigrants themselves and with the broader community.”
Located in downtown Oakland, the space is dedicated partly for galleries and art shows featuring local immigrant artists. The remaining area is a communal studio where ARTogether hosts its regular activities.
Art is used as a therapeutic medium that allows participants to process and express their emotions and experiences and build community with others in the studio, Zand said.
The programs are catered to youth and adults with programs called “Arts in Schools” and “Arts and Wellness.” Students are encouraged to participate in music, crafts, and dancing. In contrast, adults can join support groups to connect with others and receive mental health resources to alleviate trauma they may have previously experienced.
Zand told the Post that a lot of the issues participants come into the program with are related to feeling a lack of support or community after newly arriving to the area from their home countries. While many come from areas where traditional therapy is considered taboo, art lets people of all backgrounds express themselves in a creative form that makes sense to them.
The center can also provide referrals and direct contacts to traditional mental and physical health professionals and legal and social programs for those who need more extensive assistance.
Because of how the organization started, ARTogether has a strong “Stop the Hate” messaging built into its mission. They began promoting advocacy against anti-immigrant and anti-refugee hate across several demographics during the pandemic, even before “Stop the Hate” became officially established.
“We really want to activate this space for the community to get together, to share, to strategize, to see how they can advocate at the local, state and even national level for their rights,” Zand shared.
Anticipating an influx in stress and trauma for residents after the presidential inauguration in January, ARTogether is hosting a community gathering at the end of the month in order to give people the space to express their feelings through crafts.
These gatherings, or “Gather In’s”, will be held monthly, or for as long as funding can sustain them, which Zand said might not be for long.
The organization recently lost one of its grants from the city of Oakland during the major budget cuts earlier this month that slashed funding for arts and culture programs. They were meant to receive a $20,000 grant through the city’s initial contingency budget plan but the money is now gone until Oakland can get their revenue up again.
Zand shared she worries about the state of the country come the new year and where her organization may end up as well if budget restraints continue at the local and state level.
“We are really facing uncertainty. We don’t know what is happening…We don’t know how bad it’s going to be,” she said.
This resource was supported in whole or in part by funding provided by the State of California, administered by the California State Library via California Black Media as part of the Stop theHate program. The program is supported by partnership with the California Department of Social Services and the California Commission on Asian and Pacific Islander American Affairs. To report a hate incident or hate crime and get support, go to https://www.cavshate.org/
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Big God Ministry Gives Away Toys in Marin City
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.
By Godfrey Lee
Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.
Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.
A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.
Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.
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