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Still Unsolved: The Cold Cases of Biggie, Tupac and Jam Master Jay

NNPA NEWSWIRE — As 2019 begins, the senseless murder of some of Hip-Hop’s biggest and most talented stars remains in the cold case files. “It’s a shame that we lost talented artists such as Tupac, Biggie and JMJ,” said Hip Hop activist and artist Sean XLG Mitchell.

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By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

Little did Tupac Shakur know, as he left a heavyweight boxing match in Las Vegas on Sept. 7, 1996, that his life was about to end.

With Death Row Records CEO Marion “Suge” Knight at the wheel and Shakur in the passenger seat, gunmen pulled up and pumped several bullets into Shakur who later died at University Medical Center, Las Vegas Valley.

He was 25.

On March 8, 1997, Shakur’s so-called East Coast rival and fellow Hip-Hop superstar, Christopher “Notorious B.I.G.” Wallace, presented an award at the Soul Train Music Awards in Los Angeles.

An afterparty was reportedly shutdown at about 12:30 a.m. because of overcrowding, forcing Wallace to leave with friends, including Bad Boy Records Founder Sean “Diddy” Combs.

Approximately 15 minutes later, as Wallace and the others traveled down a Los Angeles street, a black Chevy Impala pulled alongside the “Hypnotize” rapper’s vehicle and fired several bullets – four of them striking Wallace — who died a short time later at Cedars-Sinai Medical Center.

He was 24.

On Oct. 30, 2002, Jason “Jam Master Jay” Mizell sat in his Jamaica, Queens, recording studio in New York listening to new music.

An unknown assailant entered the building at about 7:30 p.m. and shot and killed Mizell, 37, who, along with his group Run-DMC, transcended Hip-Hop and paved the way for the commercial success of all Hip-Hop acts.

As 2019 begins, the senseless murder of some of Hip-Hop’s biggest and most talented stars remains in the cold case files. “It’s a shame that we lost talented artists such as Tupac, Biggie and JMJ,” said Hip Hop activist and artist Sean XLG Mitchell.

“I believe arrests haven’t been made on any case because of the dynamics involved in terms of the criminal elements: Possibly drugs, gang ties, and the ‘no snitching’ mantra in the Black community,” Mitchell said.

Last year, a cable television series titled “Unsolved” depicted the murders of Shakur and Wallace.

The three-part series, which aired on USA and Netflix and connected Shakur’s murder to an alleged gang war between the Bloods and the South Side Crips, was based on an LAPD task force investigation headed by Detective Greg Kading, who was initially assigned to work on Wallace’s case.

Kading, whose investigation ultimately took him to Las Vegas where he became involved in the Shakur murder probe, concluded that Orlando Anderson was Shakur’s murderer.

According to the series and numerous reports, the now former detective claimed in the series that Anderson’s uncle, Duane “Keffe D” Davis, revealed that Anderson and two other men – DeAndre Smith and Terrence Brown – were in the car together when Shakur was shot.

After Anderson was beaten up earlier that night, they went looking for Shakur at the 662 Club in Vegas. Keffe D said they found him on the strip and pulled up alongside the car, which was being driven by Suge Knight.

“All the chicks was like, ‘Tupac’, and he was like, ‘hey’ like a celebrity, like he was in a parade,” Keffe D said in an interview with BET’s Death Row Chronicles. “If he wouldn’t even have been out the window, we would have never have seen him.”

He would not go so far as to reveal who pulled the trigger but said it came from the backseat, narrowing it down to Anderson and Smith.

Anderson, who always denied that he was the murderer, died himself just two years after Shakur. No one has ever been charged in the murder. However, “Unsolved” creator Kyle Long has called for Keffe D’s arrest.

“He went live on television and confessed to being an accessory to murder and the Las Vegas PD, as far as I know, is doing nothing about it,” Long told The Wrap last year. “And I just think it’s outrageous. I just don’t understand it. It makes me upset.”

Long also spoke to Vulture and said, “What has happened since we made the show, which is fascinating to me, is that Keffe D went on a documentary called the Death Row Chronicles and confessed again.

“He doesn’t have immunity in that confession. He tried to get cute and says, ‘Oh, I handed the gun into the back seat, but I don’t know who pulled the trigger.’ You watch it, and it’s like, he just confessed without immunity to being an accessory to murder. They should go arrest him.”

That hasn’t happened.

Meanwhile, in 2017, New York City police detectives acknowledged that their investigation into the 2002 slaying of Jam Master Jay had gone cold.

“It’s not resolved to the legal eye, but the street always talks,” Jeremy “JL” Lam, a friend of Jam Master Jay’s family, told the Associated Press (AP).

Family members, however, reportedly were less optimistic.

“We know it’s anniversary, but we don’t like to talk about it much anymore,” Jam Master Jay’s older sister, Bonita Jones, said from their mother’s home in North Carolina.

A cousin, Ryan Thompson, believes the potential witnesses may never come forward because they “could go to jail as accomplices.” According to some reports, the 37-year-old Jam Master Jay hugged one of the men before gunfire erupted.

One round missed him but a second, fired from point-blank range, entered the left side of his head.

The men vanished.

Police said there were at least four other people in the studio at the time, but none provided enough details to produce fruitful leads. Thompson said a security camera in the studio was broken.

Prosecutors later identified a career criminal serving time for armed robbery as a suspect, but he denied involvement and was never charged, according to the AP.

Meanwhile, family, friends, fans and activists like Mitchell still hope for answers in the murders of Shakur, Wallace and Mizell.

“I believe there’s evidence that can’t be corroborated because of the number of people involved, which makes it dicey or risky to pursue any leads that are not going to result in criminal charges,” said Mitchell, the author of several books including “Hiphophooray: Celebrating 30 Years of Rap Music,” and “The Roof is on Fire: 101 Greatest Moments in Hip-Hop.”

“And you also have the face of racism involved too — that’s often overlooked — which is essentially the lives of black men don’t seem to have the same value as the lives of others, so why waste your time?  Does it matter? Absolutely, I believe the family members of each victim deserve justice and closure and the only way to get it is with a conviction.”

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Oakland Post: Week of June 18 – 24, 2025

The printed Weekly Edition of the Oakland Post: Week of June 18 – 24, 2025

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Juneteenth: Celebrating Our History, Honoring Our Shared Spaces

It’s been empowering to watch Juneteenth blossom into a widely celebrated holiday, filled with vibrant outdoor events like cookouts, festivals, parades, and more. It’s inspiring to see the community embrace our history—showing up in droves to celebrate freedom, a freedom delayed for some enslaved Americans more than two years after the Emancipation Proclamation was signed.

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Wayne Wilson, Public Affairs Campaign Manager, Caltrans
Wayne Wilson, Public Affairs Campaign Manager, Caltrans

By Wayne Wilson, Public Affairs Campaign Manager, Caltrans

Juneteenth marks an important moment in our shared history—a time to reflect on the legacy of our ancestors who, even in the face of injustice, chose freedom, unity, and community over fear, anger, and hopelessness. We honor their resilience and the paths they paved so future generations can continue to walk with pride.

It’s been empowering to watch Juneteenth blossom into a widely celebrated holiday, filled with vibrant outdoor events like cookouts, festivals, parades, and more. It’s inspiring to see the community embrace our history—showing up in droves to celebrate freedom, a freedom delayed for some enslaved Americans more than two years after the Emancipation Proclamation was signed.

As we head into the weekend full of festivities and summer celebrations, I want to offer a friendly reminder about who is not invited to the cookout: litter.

At Clean California, we believe the places where we gather—parks, parade routes, street corners, and church lots—should reflect the pride and beauty of the people who fill them. Our mission is to restore and beautify public spaces, transforming areas impacted by trash and neglect into spaces that reflect the strength and spirit of the communities who use them.

Too often, after the music fades and the grills cool, our public spaces are left littered with trash. Just as our ancestors took pride in their communities, we honor their legacy when we clean up after ourselves, teach our children to do the same, and care for our shared spaces.

Small acts can inspire big change. Since 2021, Clean California and its partners have collected and removed over 2.9 million cubic yards of litter. We did this by partnering with local nonprofits and community organizations to organize grassroots cleanup events and beautification projects across California.

Now, we invite all California communities to continue the incredible momentum and take the pledge toward building a cleaner community through our Clean California Community Designation Program. This recognizes cities and neighborhoods committed to long-term cleanliness and civic pride.

This Juneteenth, let’s not only celebrate our history—but also contribute to its legacy. By picking up after ourselves and by leaving no litter behind after celebrations, we have an opportunity to honor our past and shape a cleaner, safer, more vibrant future.

Visit CleanCA.com to learn more about Clean California.

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IN MEMORIAM: Legendary Funk Pioneer Sly Stone Dies at 82

Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.

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Sly and the Family Stone play the Opera House in Bournemouth. Mojo review. Photo by Simon Fernandez.
Sly and the Family Stone play the Opera House in Bournemouth. Mojo review. Photo by Simon Fernandez.

By Stacy M. Brown
BlackPressUSA.com Newswire

Sylvester “Sly” Stewart—known to the world as Sly Stone, frontman of the groundbreaking band Sly and the Family Stone—has died at the age of 82.

His family confirmed that he passed away peacefully at his Los Angeles home surrounded by loved ones, after battling chronic obstructive pulmonary disease (COPD) and other health complications.

Born March 15, 1943, in Denton, Texas, Stone moved with his family to Vallejo, California, as a child. He began recording gospel music at age 8 with his siblings in a group called the Stewart Four. By his teenage years, he had mastered multiple instruments and was already pioneering racial integration in music—an ethos that would define his career.

In 1966, Sly and his brother Freddie merged their bands to form Sly and the Family Stone, complete with a revolutionary interracial, mixed-gender lineup.

The band quickly became a commercial and cultural force with hits such as “Dance to the Music,” “Everyday People,” and “Thank You (Falettinme Be Mice Elf Agin)”—all penned by Stone himself.

Their album “Stand!” (1969) and live performances—most notably at Woodstock—cemented their reputation, blending soul, funk, rock, gospel, and psychedelia to reflect the optimism and turmoil of their era.

Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.

As the 1970s progressed, Stone confronted personal demons. His desire to use music as a response to war, racism, and societal change culminated in the intense album “There’s a Riot Goin’ On” (1971). But drug dependency began to undermine both his health and professional life, leading to erratic behavior and band decline through the early 1980s.

Withdrawn from the public eye for much of the 1990s and early 2000s, Stone staged occasional comebacks. He was inducted into the Rock & Roll Hall of Fame in 1993, received a Lifetime Achievement Award from the Grammys in 2017, and captured public attention following the 2023 release of his memoir “Thank You (Falettinme Be Mice Elf Agin)”—published under Questlove’s imprint. He also completed a biographical screenplay and was featured in Questlove’s documentary “Sly Lives!” earlier this year.

His influence endured across generations. Critics and historians repeatedly credit him with perfecting funk and creating a “progressive soul,” shaping a path for racial integration both onstage and in the broader culture.

“Rest in beats Sly Stone,” legendary Public Enemy frontman Chuck D posted on social media with an illustrative drawing of the artist. “We should thank Questlove of the Roots for keeping his fire blazing in this century.”

Emmy-winning entertainment publicist Danny Deraney also paid homage. “Rest easy Sly Stone,” Deraney posted. “You changed music (and me) forever. The time he won over Ed Sullivan’s audience in 1968. Simply magical. Freelance music publicist and Sirius XM host Eric Alper also offered a tribute.

“The funk pioneer who made the world dance, think, and get higher,” Alper wrote of Sly Stone. “His music changed everything—and it still does.”

Sly Stone is survived by three children.

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