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TGIF means a whole lot more on the third Fridays in New Orleans

LOUISIANA WEEKLY — Often it is preferable to keep rolling after work rather than go home and, even despite the best intentions to go out later, just end up collapsing in front of the television. Two great options on the third Fridays of every month – at least until December – are early evening gigs by saxophonist Calvin Johnson at Buffa’s Bar and the Lilli Lewis Project at the Carnaval Lounge, the St. Claude Avenue establishment formerly known as Siberia. Both locales, incidentally, offer food so there’s no need to head home first and cook. These gigs on September 20 start at 6 p.m. – say what? – so the choice is yours though with Johnson blowing until 9 p.m. it’s possible to hit the Carnaval and then hit Buffa’s or the other way around.

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(l-r) Lillie Lewis and Calvin Johnson(Photo by: louisianaweekly.com)

By Geraldine Wyckoff

People around the country and probably many around the world understand the expression “Thank God it’s Friday,” and the relief of having made it through another hard-working week. In his hit, “Blue Monday,” Fats Domino viewed Fridays as his payday that enabled him on Saturday to “go out on the streets and play.”

Often it is preferable to keep rolling after work rather than go home and, even despite the best intentions to go out later, just end up collapsing in front of the television. Two great options on the third Fridays of every month – at least until December – are early evening gigs by saxophonist Calvin Johnson at Buffa’s Bar and the Lilli Lewis Project at the Carnaval Lounge, the St. Claude Avenue establishment formerly known as Siberia. Both locales, incidentally, offer food so there’s no need to head home first and cook. These gigs on September 20 start at 6 p.m. – say what? – so the choice is yours though with Johnson blowing until 9 p.m. it’s possible to hit the Carnaval and then hit Buffa’s or the other way around.

Here, we’ll start with Johnson’s show that includes ace musicians including pianist Jesse McBride, bassist Amina Scott and drummer Levon West. That combination just screams modern jazz that Johnson agrees he’s been digging into hard since moving to New York three months ago. “I’ve had to go back to the bebop and post-bop masters so I’m really deep into Monk (pianist/composer Thelonious Monk) right now and I’m deep into (drummer) Art Blakey. “A lot of tunes will come from the Blakey and Monk songbooks because that’s just what I’m shedding on right now in New York,” Johnson explains. “I’ll stretch the band a little bit and we’ll do some New Orleans songs with a modern flair and some originals.”

The paramount reason for Johnson’s departure from his hometown was to be closer to his longtime love with whom he’d been enduring a long distance relationship. It was also an opportunity for him to expand his artistic expression. “New York is the land of individuality,” he offers. “That’s an incubator for me to find what I’m searching for right now. Everything that I hate about New Orleans, New York offers and everything I that hate about New York, New Orleans offers. I see it as the best of both worlds. I found happiness.”When Johnson comes home to New Orleans once a month, he also performs at Preservation Hall on Saturdays and Sundays. In the Crescent City the saxophonist and vocalist is probably most associated with traditional New Orleans jazz. “That’s because of my lineage,” says Johnson, “and growing up, I was under that umbrella,” he adds mentioning his brilliant uncle, saxophonist and clarinetist Ralph Johnson and also trumpeter George Johnson III, who was a regular with the Pin Stripe and Tuba Fats’ Chosen Few brass bands. “I traveled with the Preservation Hall band so people have grown to identify me with that.”

On Saturdays, Johnson plays with trumpeter Marc Braud at “the Hall” and on Sunday’s with Braud’s uncle, trumpeter Wendell Brunious. “That’s real New Orleans stuff right there,” he proclaims. “I love it… they have the same sound. I’m sure that sound comes from Wendell’s dad, Big John Brunious. They inherited it. You don’t get that up here in New York.”

Just around the corner and down St. Claude Avenue the Lilli Lewis Project, led by the hugely talented vocalist and pianist Lewis, strikes up on Friday in celebration of the ensemble’s new release, We Belong. With a goal of bringing people together, the classically trained and spiritually driven Lewis draws one in with her sincerity and musical and personal charisma. She and her Project touch on and gracefully intertwine numerous genres as heard on the album’s opening cut, “Interlock” that gets started in a jazz mode, enforced by the saxophone of Ole Oddlocken, and becomes an anthem for togetherness on the strength of Lewis committed vocals and lyrics. The percussion of Ryan Murray adds an African flavor and beauty arrives with the guitar of Smokey Brown.

Straight-up blues works for Lewis whose versatility can seeming take her anywhere. With Lewis’ sincere belief in social consciousness, reggae is also right up her alley and she offers two examples on “When the Rain Comes In,” that is a sad reminder that “It will be too late when the rain comes in.” Dig that this includes an essential trombone provided by Glen David Andrews. The final cut, “Turn It Around” begins with Lewis’ sophisticated piano, which we’d like to hear more of, and jazz-wise vocals as she tells a story in song as she often does throughout the album. “It’s a matter of survival,” she sings or more accurately preaches. Then the reggae beat kicks in to calm the fears.Lewis is undeniably compelling throughout the album though perhaps never more so than on “Coretta’s Song,” based in part on the poem and gospel classic, “I Am a Soldier.” Her passionate delivery is stunning on the selection that features clarinetist Michael White and sousaphonist Kirk Joseph.

The Lilli Lewis Project’s We Belong moves in positive directions as steered by its artistically and emotionally committed leader Lilli Lewis.

This article originally published in the September 16, 2019 print edition of The Louisiana Weekly newspaper.

This article originally appeared in The Louisiana Weekly.

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Remembering George Floyd

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

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By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

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