Entertainment
The 20/20 Experience Comes To Oakland
Oakland, CA – After a glimpse of his music on the Legends of Summer tour with Jay-Z last year, Justin Timberlake emerged with his own solo tour. Timberlake wow’d the sellout crowd with his billboard hits and exceptional dance moves. He maybe the best R&B entertainer since the late Michael Jackson. A svelte and dapper Timberlake controlled the crowd with one mic and needed no background special effects.
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Backed by a full band orchestra, Timberlake’s set had a mixture of new songs and old hits. One of the first songs that got the crowd off their feet was “Rock Your Body” which was from his first album. Timberlake’s ability to sing acapella was most impressive. His vocal range was unforgettable and that wasn’t the best part of the show. The dance moves alone would take you back down memory lane with memorable performances of the late Michael Jackson.
With a suit and no tie, Timberlake performed hits from all of his albums including renditions of Bel Biv DeVoe’s “Poison” and “Heartbreak Hotel” a tribute to the late Elvis Presley’s who was also from his hometown of Memphis, Tennessee. Accompanied with a guitar, Timberlake also performed his recent hit “Not A Bad Thing” followed by Michael Jacksons classic song “Human Nature”.
Other smash hits performed included “My Love” sung acappella, “Until the End of Time” played on the grand piano. As well as the intro to “Holy Grail” which immediately led into “Cry Me A River” from his first solo album. But the most memorable part of the show was his moving stage that floated in the air across Oracle Arena. Timberlake, his background singers and dancers never stopped performing while being wisped through the air.
If the 20/20 Experience hasn’t come to your town, I highly recommend you put it on your bucket list. Timberlake’s concert was phenomenal in every way. He kept the sellout crowd on their feet dancing for three hours. Truly the best concert of the year while delivering 28 songs. He simply relied on a combination of good singing and terrific dance moves.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
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Activism
Oakland Post: Week of December 24 – 30, 2025
The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
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