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At 94, The Legendary Cicely Tyson Remains An ‘Optimist’

NNPA NEWSWIRE — “There isn’t a day – I’m grateful to say – that when I walk out of my doors, I don’t run into somebody who says, ‘I can’t tell you what you’ve done for me. ‘You changed my life,’” Tyson shared with TIME. “It just confirmed for me that I was on the right track and I stayed on the right track.”

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By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

At 94, the legendary actress and freedom fighter, Cicely Tyson, absolutely stuns on the cover of TIME.

Clad in an elegant Michael Couture dress and stylish Taffin earrings by James de Givenchy with hair and makeup by Armond Hambrick, Tyson graces Time’s cover this month in celebrate of the magazine’s second annual “Optimists Issue.”

In the issue, Tyson talks openly about her more than six-decade acting career, from her film debut in “Carib Gold” in 1956, to her most recent role as Annalise Keating’s mother in ABC’s “How to Get Away with Murder.”

“When I made the decision to use my career as a platform, to try to make a dent in some of these injustices that I witnessed and experienced in life, I said if I just reach one person, one person, then I will be happy,” Tyson told TIME.

Born in Harlem New York City on December 19, 1933, Tyson’s parents were immigrants from Saint Kitts and Nevis in the West Indies, according to her biography at BlackPast.org, the website that records African American history.

After graduating from Charles Evans High School in Manhattan in 1951, Tyson landed a position as a secretary for the American Red Cross. Unsatisfied with the work, she enrolled in the Barbara Watson Modeling School to pursue a career in modeling, according to her biography:

By the late 1950s, Tyson had become one of the top black models in the United States. Her face appeared on the cover of black-oriented magazines, such as Ebony and Jet. 

While waiting in the offices of Ebony Magazine, she was encouraged to audition for a role in the film, The Spectrum, which discussed conflicts between dark- and light-skinned blacks.

Tyson won the role but The Spectrum was never completed due to financial problems. This experience however, persuaded Tyson that she should pursue a career in acting.

Tyson began her career on the stage. 

In 1961, she appeared in the original cast of French playwright Jean Genet’s The Blacks, which became the longest running non-musical of the decade with over 1,400 performances.

In 1963 at the insistence of Academy Award-winning actor George C. Scott, she became a part of the cast of East Side/West Side of which Scott was the star.  

By the mid-1960s and early 1970s, Tyson was a frequent guest star on television appearing in I-Spy, Naked City, The Nurses, The Bill Cosby Show and a number of other programs. Her movie career progressed more slowly. Like many black performers of her generation, Tyson was leery of the “blaxploitation” films of the era and held out for a film that promoted positive images of African Americans.

That film came in 1972 when she was cast in the role of Rebecca Morgan in Sounder.

The film examined the life of a Black family in the Depression-era South with dignity and compassion. Tyson’s performance garnered positive reviews from critics and she was nominated for both an Academy Award and a Golden Globe Award. 

In 1974, she broke new ground for black actors when she received an Emmy Award for her portrayal of the character Jane Pittman, based on a novel written by Ernest J. Gaines.

Her performance made her one of the premier actresses of her generation.

Tyson appeared as Coretta Scott King in the 1978 movie King opposite actor Paul Winfield.

Other acclaimed movie roles included Roots, The Marva Collins Story, When No One Would Listen, and The Oldest Living Confederate Widow Tells All.

“There isn’t a day – I’m grateful to say – that when I walk out of my doors, I don’t run into somebody who says, ‘I can’t tell you what you’ve done for me. ‘You changed my life,’” Tyson shared with TIME. “It just confirmed for me that I was on the right track and I stayed on the right track.”

A Kennedy Center Honors recipient who also received the Presidential Medal of Freedom from former President Barack Obama, Tyson said she has no plans to retire.

In keeping with the article’s theme of optimism, she said, “Look at the world today, you better be an optimist.”

“You really do have to have faith and belief and understanding in order to survive. And know that you will not be defeated if you really think positive, about yourself and the life you’ve chosen to live.”

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Oakland Post: Week of March 12 – 18, 2025

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Oakland Post: Week of March 5 – 11, 2025

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Arts and Culture

Beverly Lorraine Greene: A Pioneering Architect and Symbol of Possibility and Progress

Greene graduated from the University of Illinois at Urbana-Champaign in 1936 with a degree in Architecture — a remarkable accomplishment for an African American woman at the time. She was never discouraged by the racial and gender discrimination that saturated her field.

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Beverly Lorraine Greene. Public domain photo.
Beverly Lorraine Greene. Public domain photo.

By Tamara Shiloh

In the mid-20th century, Beverly Lorraine Greene was recognized as the first African American woman licensed to practice architecture in the United States.

Greene was born on Oct. 4, 1915, in Chicago during an era when opportunities for African Americans, particularly women, were severely limited.

Her parents, James and Vera Greene, were deeply invested in her education, instilling in her a belief in the power of intellect and perseverance. She grew up during the Great Migration that transformed Chicago starting in 1900.

Greene graduated from the University of Illinois at Urbana-Champaign in 1936 with a degree in Architecture — a remarkable accomplishment for an African American woman at the time. She was never discouraged by the racial and gender discrimination that saturated her field.

Greene continued her education, earning a master’s degree in City Planning and Housing in 1937, also from the University of Illinois. Her ambition was not merely to design structures but to shape spaces that fostered equity and community. In 1942, she became the first African American woman licensed as an architect in the United States, obtaining her credentials in Illinois. This groundbreaking achievement, however, did not translate immediately into job opportunities.

Early in her career, she faced significant discrimination from firms unwilling to hire a Black woman. However, her determination never wavered. In 1945, Beverly moved to New York City, a place she believed could offer broader professional opportunities.

She joined the architectural department of the New York City Housing Authority, focusing on affordable housing projects. Her work during this time reflected her commitment to using architecture as a tool for social justice, ensuring that marginalized communities had access to well-designed, dignified living spaces.

Greene’s talents soon drew the attention of prominent firms. She was hired by Isadore Rosenfield, a respected architect known for designing hospitals. She contributed to the design of healthcare facilities, including the modernization of Harlem Hospital. Her portfolio expanded in collaboration with architectural personalities such as Marcel Breuer and Edward Durell Stone.

Notably, she worked on the prestigious UNESCO headquarters in Paris — a landmark project that brought her skills to an international stage. Her involvement underscored her ability to navigate the intricacies of large-scale, global projects, proving that her talents transcended the limitations society sought to impose.

Greene’s career was tragically cut short when she passed away unexpectedly in 1957 at the age of 41. Though her life was brief, her impact was profound. She shattered entrenched barriers, paving the way for future generations of Black architects and women in the field.

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