Entertainment

Bill Cosby’s Public Moralizing Was His Undoing

Published

9 years ago

July 8, 2015

This Nov. 11, 2014, file photo shows entertainer and Navy veteran Bill Cosby speaking during a Veterans Day ceremony, at the The All Wars Memorial to Colored Soldiers and Sailors in Philadelphia. (AP Photo/Matt Rourke, File)

DAVID BAUDER, AP Television Writer

NEW YORK (AP) — For decades, Bill Cosby cast himself as America’s dad and then as America’s granddad, a moralist with tough talk for young people about acting responsibly. It was that image that proved to be his undoing.

The judge who unsealed documents on Monday revealing Cosby’s 2005 admission that he obtained quaaludes to give to young women before sex cited the comedian’s public moralizing in deciding to release the testimony.

The testimony, from a decade-old lawsuit, has called into question Cosby’s denials that he drugged and sexually assaulted women.

Cosby had fought the request from The Associated Press to unseal the material.

But U.S. District Judge Eduardo Robreno in Philadelphia ruled: “The stark contrast between Bill Cosby, the public moralist, and Bill Cosby, the subject of serious allegations concerning improper (and perhaps criminal) conduct, is a matter to which the AP — and by extension the public — has a significant interest.”

Cosby’s moralizing also triggered the most recent round of allegations by more than two dozen women who say he assaulted them. Last October, 31-year-old comedian Hannibal Buress set off the storm when he noted the contrast between Cosby’s image and the accusations.

“He gets on TV, ‘Pull your pants up, black people. I was on TV in the ’80s! I can talk down to you because I had a successful sitcom!'” Buress said. “Yeah, but you rape women, Bill Cosby, so turn the crazy down a couple notches.”

As leader of television’s Huxtable clan in the 1980s, Cosby was the dad who did things right. It was a persona that made him beloved and rich.

And Cosby gave back. He and wife Camille offered millions in donations to colleges and other institutions across the country, including $20 million to Spelman College in 1988. He also freely gave advice and opinions on society’s failings, which weren’t welcomed as much as the money.

One such commentary, a decade ago during a commemoration of the 50th anniversary of the Supreme Court decision on segregated schools, was cited by Robreno in his ruling. Cosby criticized a lack of parenting among poor families, complaining about young people’s poor speech, dress and dropout rates.

It was labeled the “pound cake” speech for this passage: “Looking at the incarcerated, these are not political criminals,” Cosby said. “These are people going around stealing Coca-Cola. People getting shot in the back of the head over a piece of pound cake! Then we all run out and are outraged: ‘The cops shouldn’t have shot him.’ What the hell was he doing with the pound cake in his hand?”

Cosby has aggressively sought to protect his public image as accusations came forth. His representatives have cast doubt on his accusers, and Cosby sought to get an AP reporter who had asked about them not to use his comments.

He also testified in the 2005 case that he granted the National Enquirer an interview about accusations against him in exchange for the tabloid squelching another story about an alleged assault.

Even before Monday’s release of testimony, the allegations had severely damaged Cosby’s career. NBC walked away from plans to make another Cosby sitcom, TV Land took reruns of “The Cosby Show” off the air, and Netflix shelved plans for a Cosby standup special.

Cosby mounted a standup comedy tour that was dotted with cancellations, and no further appearances are scheduled, according to the industry trade publication Pollstar.

The Bounce TV network, which is geared toward black viewers, announced Tuesday that it is taking its reruns of “Cosby,” the comic’s 1990s-era CBS show, off the air immediately.

And the smaller Centric cable network, which is affiliated with BET and aimed at black women, said it is dropping “The Cosby Show.” The 1980s NBC series was a big chunk of Centric’s schedule, airing four hours a day and in weekend marathons once a month.

It doesn’t appear that “The Cosby Show” is airing regularly anywhere else now in the U.S., said Bill Carroll, an expert on the syndication market for Katz Television. He said he doubts it will return while its star, who turns 78 on Sunday, is alive.

“You never say never,” he said. “But I think in the foreseeable future, I doubt we’re going to see ‘The Cosby Show’ returning.”

It remains to be seen how many minds the newly released testimony will change. But actress and Philadelphia native Jill Scott, who had publicly supported Cosby last fall, said she was “completely disgusted” by what he had to say under oath.

“I stood by a man I respected and loved,” Scott said via Twitter. “I was wrong.”

____

Associated Press correspondent Michael Sisak in Philadelphia and Television Writer Lynn Elber in Los Angeles contributed to this report.

____

Follow David Bauder at twitter.com/dbauder. His work can be found at http://bigstory.ap.org/content/david-bauder.

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Oakland Post: Week of December 25 – 31, 2024

The printed Weekly Edition of the Oakland Post: Week of December 25 – 31, 2024

Published

13 hours ago

December 26, 2024

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To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

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Black History

Ashleigh Johnson: Pioneering the Way in Water Polo

Ashleigh Johnson attended Princeton University, where she played for the Tigers and dominated collegiate water polo. During her time at Princeton, she became the program’s all-time leader in saves and was recognized for her extraordinary ability to anticipate plays and block shots. She was a three-time All-American and was pivotal in leading her team to multiple victories. Balancing rigorous academics and athletics, she graduated with a degree in Psychology, showcasing her determination both in and out of the pool.

Published

3 days ago

December 24, 2024

Oakland Post

Ashleigh Johnson Photo: collegiatewaterpolo.org

By Tamara Shiloh

Ashleigh Johnson has become a household name in the world of water polo, not only for her incredible athleticism and skill but also for breaking barriers as the first Black woman to represent the United States in the sport at the Olympic level. Her journey begins as a determined young athlete to a record-breaking goalkeeper.

Born on September 12, 1994, in Miami, Florida, Ashleigh grew up in a family that valued sports and academics. She attended Ransom Everglades School, where she was introduced to water polo. Despite water polo being a niche sport in her community, she quickly stood out for her remarkable agility, intelligence, and reflexes. Her unique skill set made her a natural fit for the demanding role of a goalkeeper.

Ashleigh attended Princeton University, where she played for the Tigers and dominated collegiate water polo. During her time at Princeton, she became the program’s all-time leader in saves and was recognized for her extraordinary ability to anticipate plays and block shots. She was a three-time All-American and was pivotal in leading her team to multiple victories. Balancing rigorous academics and athletics, she graduated with a degree in Psychology, showcasing her determination both in and out of the pool.

In 2016, Ashleigh made history as the first Black woman to be selected for the U.S. Olympic Water Polo Team. Representing her country at the Rio Olympics, she played a crucial role in helping Team USA secure the gold medal. Her stellar performances earned her the distinction of being named the tournament’s top goalkeeper, further cementing her status as one of the best players in the sport’s history.

Ashleigh didn’t just stop at one Olympic appearance. She continued her dominance in water polo, playing a key role in Team USA’s gold medal win at the 2020 Tokyo Olympics. Her ability to remain composed under pressure and deliver outstanding saves in crucial moments made her an irreplaceable member of the team.

At the age of 29, Johnson appeared in her third Olympiad in Paris at the 2024 Summer Olympics. Their first match was against Greece and the US team won easily and Johnson only gave up 4 points. U.S. Olympic head coach Adam Krikorian shared, “She’s an incredible athlete. She’s got great hand-eye coordination, great reflexes and reactions. And then she’s fiercely competitive – fiercely. And you would never know it by her demeanor or by the huge smile on her face. But to us, on the inside, we know how driven she is to be one of the best ever to do it.”

Team USA Women’s Water Polo ended their Olympic season in fourth place after a 10 – 11 loss to the Netherlands. Johnson only allowed 37 percent of the shots from the Netherlands.

Beyond her achievements in the pool, Ashleigh has used her platform to advocate for diversity in water polo and sports in general. As a trailblazer, she recognizes the importance of representation and works to encourage young athletes, particularly those from underrepresented backgrounds, to pursue their dreams.

Ashleigh has spoken about the challenges she faced as a Black woman in a predominantly white sport and how she turned those obstacles into opportunities for growth.

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Arts and Culture

In ‘Affrilachia: Testimonies,’ Puts Blacks in Appalacia on the Map

Published

5 days ago

December 22, 2024

Oakland Post

Author Chris Aluka. Photo courtesy of Chris Aluka.

By Terri Schlichenmeyer
The Bookworm Sez

An average oak tree is bigger around than two people together can reach.

That mighty tree starts out with an acorn the size of a nickel, ultimately growing to some 80 feet tall, with a canopy of a hundred feet or more across.

And like the new book, “Affrilachia” by Chris Aluka Berry (with Kelly Elaine Navies and Maia A. Surdam), its roots spread wide and wider.

Affriclachia is a term a Kentucky poet coined in the 1990s referring to the Black communities in Appalachia who are similarly referred to as Affrilachians.

In 2016, “on a foggy Sunday morning in March,” Berry visited Affrilachia for the first time by going the Mount Zion AME Zion Church in Cullowhee, North Carolina. The congregation was tiny; just a handful of people were there that day, but a pair of siblings stood out to him.

According to Berry, Ann Rogers and Mae Louise Allen lived on opposite sides of town, and neither had a driver’s license. He surmised that church was the only time the elderly sisters were together then, but their devotion to one another was clear.

As the service ended, he asked Allen if he could visit her. Was she willing to talk about her life in the Appalachians, her parents, her town?

She was, and arrangements were made, but before Barry could get back to Cullowhee, he learned that Allen had died. Saddened, he wondered how many stories are lost each day in mountain communities where African Americans have lived for more than a century.

“I couldn’t make photographs of the past,” he says, “but I could document the people and places living now.”

In doing so he also offers photographs that he collected from people he met in ‘Affrilachia,’ in North Carolina, Georgia, Kentucky, and Tennessee, at a rustic “camp” that was likely created by enslaved people, at churches, and in modest houses along highways.

The people he interviewed recalled family tales and community stories of support, hardship, and home.

Says coauthor Navies, “These images shout without making a sound.”

If it’s true what they say about a picture being worth 1,000 words, then “Affrilachia,” as packed with photos as it is, is worth a million.

With that in mind, there’s not a lot of narrative inside this book, just a few poems, a small number of very brief interviews, a handful of memories passed down, and some background stories from author Berry and his co-authors. The tales are interesting but scant.

For most readers, though, that lack of narrative isn’t going to matter much. The photographs are the reason why you’d have this book.

Here are pictures of life as it was 50 years or a century ago: group photos, pictures taken of proud moments, worn pews, and happy children. Some of the modern pictures may make you wonder why they’re included, but they set a tone and tell a tale.

This is the kind of book you’ll take off the shelf, and notice something different every time you do. “Affrilachia” doesn’t contain a lot of words, but it’s a good choice when it’s time to branch out in your reading.

“Affrilachia: Testimonies,” by Chris Aluka Berry with Kelly Elaine Navies and Maia A. Surdam

c.2024, University of Kentucky Press, $50.00.